Jérémie Martineau is a Tiohtià:ke/Montreal-based audiovisual artist, composer and researcher, active in experimental and visual music. Under the supervision of professor Myriam Boucher, he is currently a Doctorate candidate in Music, Composition and Sound Creation at the Faculté de Musique de l'Université de Montréal, where is also teaches. His research-creation explores the experience of vulnerability as a catalyst for relational and personal transformation, encouraging audiences to reconsider their relationship with themselves, others, and their environment. His polymorphous approach combines audiovisual performance, videomusic, instrumental, mixed, and acousmatic composition, as well as installation. His work develops an intimate approach to digital arts, using tools such as audiovisual spatialization, sound-image relationships, field recording, noise, and silence to articulate a sensitive multisensory experience. He also has an interest in software and hardware development, with his recent contributions to the Groupe de Recherche en Immersion Spatiale and his DIY sound diffusion systems.

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His work is funded by several research and creation grants and has been presented internationally at festivals such as ICMC (US), SOUND/IMAGE (UK), The Performing Media Festival (US), AV@CMU (US), and NoiseFloor (UK, PT). 

His research has been presented at several symposiums at institutions such as OICRM (CA), CIRMMT (CA), Université de Montréal (CA), University of Greenwich (UK) and LCCT (UK). He won the JTTP prize from the Canadian Electroacoustic Community (CEC) for his work Distractions, Horizons in 2022 and the Student Award from the Centre Interdisciplinaire de Recherche en Musique, Médias et Technologies (CIRMMT) in 2024, for his psychophysiological research on immersion.

He is a member of CIRMMT, OICRM and Le Collaboratif.